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Trick r Treat (2007)

Dir: Michael Dougherty
Tis Halloween night and most of the residents of Warren
Valley, Ohio are celebrating it in style!
Dancing in the streets, partying
in the bars and clubs and trick or treating through the pumpkin-lantern
lit suburbs.
Lets take a look at just some of those wrapped up in Halloweens
spell;
We have Principal Steven Wilkins (Dylan Baker) who just loves
to offer his very special treats to the kiddies who come-a-knockin on his
door
And look there! Its the lovely Laurie (Anna Paquin),
and shes with her big sister Danielle (Lauren Lee Smith) and some girl friends,
all dressed as buxom Princesses.
But lovely Laurie looks worried in her Little
Red Riding Hood costume as big sis just has to keep on and on about Laurie being
a virgin.
So lovely Laurie decides she needs to finally find a man this Halloween
night
Whos this coming down the street? Ah, its
some children by the names of Macy (Britt McKillip), Schrader (Jean-Luc Bilodeau),
Sara (Isabelle Deluce) and little Chip (Alberto Ghisi). They are after 8 Jack-O-Lanterns
for a very special Halloween ritual.
You see years ago there was a terrible
event involving 8 children, their school bus and a big drop into a deep pool.
And Macy has decided they should offer up a lantern for each of the poor drowned
children.
But they still need more pumpkins, so they head off to see shy,
special little Rhonda (Samm Todd) who has plenty of pumpkins in her
garden.
And off to the drop they all go
Look out! Its
grumpy old Mr Kreeg (Brain Cox).
He lives in that scary looking, run down,
house and he just hates Halloween and all those pesky kids who keep knocking on
his door wanting things!
But grumpy Mr Kreeg will have another, all together
different, visitor tonight
So there we are, four different
groups of people, all doing their own thing, and all will have a very special
Halloween this year.
And a very unusual little fella named Sam (Quinn Lord)
will always be there, somewhere, to ensure they all do
.....
Welcome
to the world of bad judgement and just plain stupidity!
No, not the world of
Michael Doughertys Trick r Treat, but to the world where
his film sat on a dusty Warner Brothers shelf for a couple of years barely seen
by human eyes.
Recent international festival screenings though have ensured
that, at last, the public can see what the suits at Warners could not see
A
truly marvelous little cinematic Halloween treat!

Opening
with a couple, Emma (Leslie Bibb) and Henry (Tahmoh Penikett) arguing that Emma
should not mess with Halloweens little customs, Michael Doughertys
wonderful, clever and always entertaining screenplay starts us off (after some
great comic strip style credits) on a one night journey that weaves
its stories though time and place as each tale crosses with another.
Some very
subtly, others far more explicitly.

This
cross cutting, intertwining, shuffling time frames, style of delivering what is
basically an anthology film is a stroke of genius. Bringing a small portion of
Pulp Fiction aesthetic to the Horror film.
Whereas other
anthologies almost always tend to keep their tales very much separate (despite
the wrap-around story that joins them up, here that wrap-around is cleverly the
character of Sam) and stays with each tale until its end, Trick r
Treat has all of its tales eventually reach a conclusion only after returning
to each one, in little bite sized pieces, throughout the films tight running
time.
This not only makes for some clever and intriguing moments, where the
people in one tale will appear in another tale simply in the background or in
a prominent though smaller capacity, but it also ensures that we are kept on our
toes and never get bogged down in one specific tale.
As such this means that
Trick r Treat not only stays fresh during the first viewing,
but it also means it should retain a very healthy shelf life as, unlike other
anthologies, you never have to sit through all of one story you may not like waiting
for your favourite to come along (not that there are any remotely poor stories
here anyway) and although they all have some kind of twist they crucially never
just rely on that twist to entertain.
Something is always happening in the
tales for our delectation and you should never feel like youre just waiting
for the sting in the tail. A trap too many films (anthology or not) fall into,
made worse when that twist we have sat, often bored, waiting for was never worth
it anyway.
Not only are all the stories very well cast and brilliantly played by that cast (with Dylan Baker, veteran Brian Cox, youngster Britt McKillip and True Blood star Anna Paquin being the stand-outs) but they are also brimming with Halloween atmosphere and packed full of obvious love for this now too often maligned or forgotten time of year.
Halloween itself has indeed
never been served better as it is here.
The truly breathtaking location/set
dressing (by Rose Marie McSherry), art design (by Tony Wohlgemuth) and crisp cinematography
(by Glen MacPherson, John Rambo)
capture an almost fantasy land version of the festival.
Never have you seen
so many people in costumes or so many Jack-O-Lanterns.
The lanterns in fact
are almost a character in themselves. They adorn almost every scene in the film
and radiate that wonderful orange glow over everything from house porches, gardens,
woodland paths to crowded streets and lonely fog-enshrouded vistas.
Most certainly
this ranks right up there with Carpenters original Halloween
and Halloween 3 as perhaps the best
examples of a Halloween set movie that actually feels like it was shot during
that period.
A triple-bill of these three films should fill anyone up with
the ghoulish joys of the season.

The
effects are all very well done and nicely old school, with little or no CGI enhancements
bar some clever location tinkering, and offer up a few gruesomely effective moments.
The occasional creature FX are also lovely with many a delightful surprise
awaiting the unsuspecting viewer as each story slowly reveals its true, often
supernatural, self.

Despite
mixing some very black humour, a smattering of welcome nudity, pretty strong violence
and the odd splash of gore Trick r Treat still manages to feel
like an old school, even charming, Horror movie that you used watch on late night
TV when a kid.
It has a nostalgic sensibility but wraps it up in some excellent,
modern film making techniques and effects and this pretty much means the film
slips into that very, very rare category indeed
that of near perfection.
Highly recommended then and along with the original, seminal, Halloween, Michael Doughertys labour of love, Trick r Treat, should become the staple Halloween movie from now on for generations to come.